As is often the way when it comes to fashion, what’s old is new again: Vogue Italia‘s January 2020 issue is replacing its usual glossy photographs and editorial fashion spreads with illustrations. The reason? To reduce the environmental impact of photoshoots.

“This is the first time Vogue has done this since the introduction of photography in its pages in the early 20th century,” Condé Nast, Vogue‘s publishing company, said press relase on Jan. 3. “The purpose of this rather bold move is, simply, to be more sustainable.”

What’s so wasteful about the magazine’s usual production? “One hundred and fifty people involved. About twenty flights and a dozen or so train journeys. Forty cars on standby. Sixty international deliveries. Lights switched on for at least ten hours non-stop, partly powered by gasoline-fueled generators. Food waste from the catering services. Plastic to wrap the garments. Electricity to recharge phones, cameras…” Emanuele Farneti, Editor-in-Chief of Vogue Italia said in a statement explaining the resources that went into the fashion editorials in the magazine’s September 2019 issue.

Fashion magazines’ September issues are renowned for being especially heavy due to coverage of the new season’s collections and campaign ads. Nonetheless, they offer insight into the scale of the resources spent on production.

For the January issue, Vogue Italia instead asked seven artists — David Salle, Vanessa Beecroft, Cassi Namoda, Milo Manara, Delphine Desane, Paolo Ventura, and Yoshitaka Amano — to each draw a cover, each piece featuring a model wearing Gucci clothes. The resulting images span the mediums of painting, drawing, graphic design, comic book design and collage.

“The challenge was to prove it is possible to show clothes without photographing them,” Farneti wrote in an Instagram post unveiling the covers. “This is a first… Vogue Italia has never had an illustrated cover: and as far as I know no issue of Vogue Italia in which photography is not the primary visual medium has ever been printed.” – Time